Hay literalmente cientos de slots online para elegir; esto es posible gracias a nuestra colaboración con importantes desarrolladores de slots como Blueprint, Playtech, Play n Go y Cayetano. Estas slots se han diseñado para ofrecer una capacidad de respuesta total y una mecánica de juego impecable sea cual sea el tamaño de la pantalla. Los casinos recomendados cumplen con la normativa vigente y ofrecen un entorno de juego seguro y responsable. Los distintivos de juego seguro y jugar bien son visibles en su contenido. Para jugar en un casino online hay que abrir una cuenta de usuario, durante el proceso de registro se solicitará una dirección de correo electrónico y se deberá crear una contraseña para dicha cuenta.

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Por otro lado, los casinos online pueden enviar promociones a los usuarios que cumplan una serie de requisitos, y algunas de esas promociones se traducen en una carga de saldo en la cuenta del jugador. En ningún caso se debe confundir este tipo de promociones con jugar gratis, se debe tener siempre presente que se está jugando con dinero. Cada casino online pone a disposición de sus usuarios diferentes métodos de retirada de saldo siendo la transferencia bancaria el método más demandado para cobrar. Detrás de cada casino online hay un operador de juego que ofrece sus servicios de juegos de azar a través de Internet.

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El Real rojabet Antiguo de Castellón se ha consolidado como Patrimonio Cultural de Castellón. Nuestro edificio acoge a lo largo de todo el año infinidad de actividades tanto para socios como para el público general, conciertos, conferencias o presentaciones entre otros llenan nuestros salones. El Casino de La Toja fue el primer casino que se inauguró en España, el 2 de junio de 1978.

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Los casinos presenciales llegarían bastante más tarde a situarse en el centro de las ciudades. Barcelona, el 1 de julio de 1999, se convirtió en la primera ciudad española con casino. Los dos casinos que hay actualmente en el centro de la capital de España, Madrid, abrieron sus puertas años después, en diciembre de 2013. El 16 de diciembre se inauguró el Casino Gran Madrid Colón y el 18 de diciembre del mismo año abrió sus puertas el Casino Gran Vía. La creciente popularidad del poker ha originado que las partidas de poker entre amigos sean más frecuentes que hace unos años.

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En este sentido, busca casinos online con cifrado SSL y que tengan la licencia de operaciones que concede en España la DGOJ (Dirección General de la Ordenación del Juego). Bet Builder o Constructor de Apuestas Deportivas te permite crear apuestas personalizadas. ¿Tienes una estrategia única o una intuición especial sobre un partido?

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• Todos los casinos online españoles aceptan Visa como método de depósito y retirada.

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La sección de cada juego realiza un recorrido por los diferentes aspectos del juego, incluyendo la historia y origen del juego, así como curiosidades y anécdotas. Hoy en día, podemos decir sin riesgo a equivocarnos, que un casino online sin versión móvil o app es como si no existiera. Un casino online que ofrezca sus servicios en dispositivos móviles demuestra su compromiso con una buena experiencia de juego y de estar siempre pendiente de las necesidades del usuario. O    Acceso a cientos de slots desde equipos de sobremesa o dispositivos móviles.

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El objetivo en el vídeo poker es conseguir una combinación de poker con premio usando un descarte. Las combinaciones premiadas dependen del tipo de juego de la máquina. El más popular se llama Jotas o Mejor, con premios a partir de la pareja de jotas.

Podrás reconocerlos porque su URL termina en “.es”, tienen certificado SSL, y en su web aparecen los iconos de “Juego Seguro” y “Jugar Bien”. Desconfía de cualquier casino online que opere en España sin cumplir estos requisitos. Estos otros servicios harán que tu experiencia sea más completa y satisfactoria. Nuestra recomendación es elegir un casino que disponga de herramientas de juego responsable, un rápido (y eficiente) servicio de atención al cliente, y presencia en redes sociales con chat activo.

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De hecho, hay tantas que hemos decidido enumerarlas para que las conozcas, y es que somos así de atentos.

Un primer filtro para identificar si un casino online tiene la licencia correspondiente para operar en España es comprobar el nombre de dominio de su página web, debe ser “.es”, ya que si es “.com” se trata de un operador sin licencia española. Está situado en el municipio de Torrelodones, a 20 kilómetros del centro de Madrid. Tiene mesas de ruleta, blackjack, poker de contrapartida, y es uno de los pocos casinos españoles que también tiene mesas de punto y banca.

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• En España el método de pago preferido por los jugadores a la hora de depositar dinero en un casino son las tarjetas bancarias, seguido de PayPal, el servicio de monedero electrónico líder en nuestro país.
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Anteriormente mencionamos que deberías elegir casinos que ofrezcan juegos desarrollados por proveedores de prestigio, pero, ¿qué significa eso exactamente? Significa que los títulos de dichos proveedores garantizan tu seguridad. Es decir, que sus juegos han sido auditados por organismos y agencias independientes como iTech Labs y eCOGRA, para garantizar que su RNG es imparcial y no esconden ningún fraude.

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Tus datos personales y financieros de carácter confidencial estarán a salvo. Después de los bonos, los juegos de casino son el principal reclamo de los casinos para captar jugadores. Por esa razón, los casinos online en España hacen lo posible por incorporar mes a mes, el mayor número de títulos posible a su oferta. Para competir entre ellos, todos esfuerzan por incluir los títulos de mayor éxito internacional y, si puede ser, que estén disponibles en español, que no siempre ocurre. Otro juego de casino por excelencia a nivel mundial es el blackjack, sin embargo, a nivel nacional no es tan popular como el juego de ruleta. Antes de empezar a jugar a cualquier juego es necesario saber cómo jugar, las reglas y las apuestas.

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• เรามีการตรวจสอบเกี่ยวกับความปลอดภัยและตัวเลือกการชำระเงิน.
• ในท้ายที่สุด, สิทธิประโยชน์สำหรับสมาชิก VIP ดูเหมือนจะเสนอประโยชน์ที่น่าสนใจ, เช่น โบนัสวันเกิด, เงินคืนรายสัปดาห์, และการถอนเงินที่รวดเร็ว นอกจากนี้, การบริการจากเจ้าหน้าที่ที่มีความเชี่ยวชาญเป็นพิเศษเป็นจุดที่ทำให้สมาชิก VIP รู้สึกเป็นส่วนตัวและพิเศษมากยิ่งขึ้น.

เลือกเว็บพนันถูกกฎหมายที่ดีที่สุดอย่างไร?

• เรามีการตรวจสอบเกี่ยวกับความปลอดภัยและตัวเลือกการชำระเงิน.
• โปรโมชั่นโบนัสที่น่าสนใจและความสามารถในการใช้ Bitcoin เป็นวิธีการชำระเงินที่น่าสนใจ, ซึ่งเป็นทางเลือกที่สะดวกสบายสำหรับผู้ที่สนใจในการใช้คริปโตเคอเรนซี.
• ดูเหมือนว่า LiveCasinoHouse มีบริการที่ครอบคลุมทั้งด้านเกมคาสิโนและการสนับสนุนลูกค้าอย่างครบวงจร.
• ไม่ว่าคุณจะชื่นชอบสล็อต, เกมโต๊ะ, เดิมพันกีฬา, หรือแทงอีสปอร์ต, ทุกรูปแบบของคาสิโนมีให้คุณได้เลือกใช้บริการ.
• ดูเหมือน LiveCasinoHouse เป็นทางเลือกที่ดีสำหรับผู้เล่นที่ต้องการคาสิโนออนไลน์ที่ปลอดภัย, มีความหลากหลาย, และมีโอกาสที่จะได้รับประสบการณ์เพลิดเพลินที่มาพร้อมกับโบนัสมากมาย.
• ดูเหมือนว่าที่ Happy Luke มีความหลากหลายทั้งในเรื่องของเกมและวิธีการชำระเงินที่สะดวกสบายมากมาย น่าสนใจมากสำหรับผู้ที่สนใจเล่นคาสิโนออนไลน์ในประเทศไทย.
• เว็บไซต์คาสิโนบางแห่งในประเทศไทยจะเสนอโบนัสต้อนรับเมื่อลงทะเบียน ส่วนเว็บไซต์อื่นๆ จะเสนอให้หลังจากฝากเงินครั้งแรก ไม่ว่าจะด้วยวิธีใด คุณควรอ้างสิทธิ์โบนัสดังกล่าวเสมอและใช้เมื่อเล่นการพนันออนไลน์.
• ในท้ายที่สุด, สิทธิประโยชน์สำหรับสมาชิก VIP ดูเหมือนจะเสนอประโยชน์ที่น่าสนใจ, เช่น โบนัสวันเกิด, เงินคืนรายสัปดาห์, และการถอนเงินที่รวดเร็ว นอกจากนี้, การบริการจากเจ้าหน้าที่ที่มีความเชี่ยวชาญเป็นพิเศษเป็นจุดที่ทำให้สมาชิก VIP รู้สึกเป็นส่วนตัวและพิเศษมากยิ่งขึ้น.

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💵 วิธีการเล่นการพนันในประเทศไทย

#7. Lucky Block – คาสิโนออนไลน์ที่ดีที่สุดสำหรับนักเทรดเดอร์คริปโต

วิธีรับมือเพื่อนร่วมงาน Toxic ทั้ง 10 ประเภท แบบอยู่ให้เป็นเน้นเอาตัวรอด

ประเภทของเกมคาสิโนออนไลน์

• ดูเหมือน LiveCasinoHouse เป็นทางเลือกที่ดีสำหรับผู้เล่นที่ต้องการคาสิโนออนไลน์ที่ปลอดภัย, มีความหลากหลาย, และมีโอกาสที่จะได้รับประสบการณ์เพลิดเพลินที่มาพร้อมกับโบนัสมากมาย.
• ไม่ว่าคุณจะชื่นชอบสล็อต, เกมโต๊ะ, เดิมพันกีฬา, หรือแทงอีสปอร์ต, ทุกรูปแบบของคาสิโนมีให้คุณได้เลือกใช้บริการ.
• ดูเหมือนว่า LiveCasinoHouse มีบริการที่ครอบคลุมทั้งด้านเกมคาสิโนและการสนับสนุนลูกค้าอย่างครบวงจร.
• มีหลายประเภทของเกมที่ทันสมัยมากมาย, รวมถึงค่ายเกมที่มั่นคงและมีชื่อเสียง เช่น Asia Gaming, Evolution, Ezugi, Gameplay Interactive, Microgaming, SA Gaming, VIVO Gaming.

วิธีสมัครสมาชิก Dafabet

Never one to turn down an adventure, he once traveled to Sri Lanka to edit an epic Action/Romance about the Sri Lankan civil war (in Tamil and Singhalese) for a director who contacted him randomly over the internet. The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto. The event was sold out to 150 guests and included 4 informative, lively and open discussion panels. Join Nahid Islam for an intimate Q&A on the ins and outs of post production fundamentals and answering your questions about the process behind the scenes. The eighth annual Toronto Screenwriting Conference takes place at the Metro Toronto Convention Centre on April 22 and April 23. Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

Award Nominees & Winners

She spent 3 years as the resident editor at the Banff Centre for the Arts and is a graduate of the The Canadian Film Centre. Her credits at Cinepix included Bill Fruet’s Death Weekend, Eddie Matalon’s Blackout, Ivan Reitman’s Meatballs, Larry Kent’s Yesterday and J. The panel will examine the editor’s contribution in creating original, provocative and beautifully made television. Some prizes included a Hard Drive, Copies of Art of the Cut (Steve Hullfish the author was even in attendance to sign the copies!), a copy of Avid Media Composer and subscriptions to various Boris FX programs. EditCon 2019 took place on Saturday February 2, 2019 at the TIFF Bell Lightbox in Toronto.

DAY 1: Panels & Talks

Join editor Ryan Morrison (STOWAWAY, ARCTIC) and assistant editor Russell Anderson (MANK) as they explore the challenges with remote editing work- flows and how they have solved them in their recent projects. The skills required of an assistant editor in animation are quite different from those working in live-action. Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists. Animation editor Merissa Tse shares her wisdom and experience of what makes a good assistant editor in the field of animation. From FRINGE to THE NEWSROOM, Michelle’s work shows a range of storytelling techniques.

The 2nd Annual CCE Awards Nominees & Winners

Roushell learned to edit with glue and hot-splices, then Steenbecks arrived from Germany, and she progressed to splicing tape and the splicer. That, of course, lasted for a few decades until the big transition to digital in the early 1990s. Andrew has enjoyed a career working with studios such as Fox, CBS, ABC, Marvel, and Netflix, including popular shows such as Sleepy Hollow and Bull. His work on the pilot episode of APB with Director Len Wiseman secured a first season pick up order from Fox Television.

The 5th Annual CCE Awards Nominees & Winners

Stephen Philipson CCE is an award-winning editor and proud member of the CCE since the very start. His credits include high profile TV series such as American Gods, Hannibal, and Orphan Black. He also cut Canadian film favourites such as The Wild Hunt, voted Best Canadian First Feature and one of Canada’s Top Ten by the Toronto International Film Festival, and Grown Up Movie Star, a prize-winner at Sundance. Roslyn’s television projects can be seen on NETFLIX, HBO Canada, ABC, Syfy, Lifetime, Global and the CBC. She has earned CCE and DGC Nominations for her editing in the categories of documentary, TV Movie and Mini-Series. With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.

• With an unconventional background in stage performance, music and sound, which she uses to enhance her storytelling techniques.
• He has recently worked with director Sam Levinson on the series EUPHORIA, as well as the upcoming feature MALCOLM AND MARIE.
• Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University.
• Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists.
• Morsi participated at the 2012 Berlinale Talent Campus, 2016 TIFF Talent Lab and Women in the Director’s Chair.

TSC Announces New Voices Awards

Since then he has been lucky to work on such diverse projects as The Daniels’ SWISS ARMY MAN, Denis Villeneuve’s ENEMY and Sundance hit JAMES WHITE. Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant. He’s cut more than two-dozen feature and one hundred TV documentaries for filmmakers across the globe. Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson. With 2 films on Criterion, 3 Top Ten Canadian films, 5 films at MoMA, 10 at TIFF, and 15 at HotDocs, the first 30 years have been a lot of fun. Award winning editor Lisa Grootenboer is an industry staple with two plus decades of experience.

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy

• While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown.
• She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work.
• She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.
• Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.
• The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto.
• His latest project, A Small Fortune, was selected for the National Screen Institutes Feature’s First program as well as The Harold Greenberg Fund’s Shorts to Features program.
• Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Paul has been a picture editor for 25 years and has worked with such companies as Netflix, MGM, AMC, Showtime and many more. Some of his recent editing credits include ANOTHER LIFE, RANSOM, INTO THE BADLANDS, DARK MATTER and LOST GIRL. He is one of the Canadian Cinema Editors’ mgm grand darknet official co-founders and currently sits on the National Board for the Directors Guild of Canada. Stephen is honoured to serve as CCE President and help the CCE advocate for editors across Canada. In 1987 Alan was series editor on the original Degrassi High series directed by Kit Hood.

Panel #1: Making a difference – Cutting content with an important social message

• Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.
• As well, Mike has edited several award-winning documentaries, including Stories We Tell, for director Sarah Polley.
• Some of her other credits include the series The Expanse, Houdini & Doyle, The L.A. Complex, and the feature films Seven in Heaven, for Blumhouse Productions, A Christmas Horror Story, for Copperheart Entertainment, and Compulsion, for Dimension Films.
• She has won two CSA awards, a DGC award, and has earned eleven award Nominations.
• He got his start writing and directing web-series, shorts and over a dozen food-based series with celebrity Chef Michael Smith.
• She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program.
• Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016.

His latest film, LUBA, won multiple awards at the Canadian Film Fest and earned him a CCE awards nomination. Recently completed are three short films screening at this year’s Available Light Film Festival in Whitehorse. He is currently editing Easy Land, the first feature of Serbian-Canadian director Sanja Zivkovic. Chris has served as vice-president of the CCE and continues to stay involved as part of the Global Opportunities Committee. Helen Haig-Brown (Tsilhqot’in) is an award-winning director and a leading talent in experimental documentary.

En discussion avec Myriam Poirier, CCE

Over the past decade, Véronique has edited a wide range of projects including short films, music videos, documentaries, advertising, and TV series. Most recently she contributed to HBO’s Big Little Lies, and is currently working on Jean-Marc Vallée’s next HBO series Sharp Objects. Award winning editor, Teresa has been editing TV drama for more than 20 years. Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.

Main Features

Collins then edited David Cronenberg’s The Brood, which later became a cult classic. Corman invited him to Hollywood, where he was promoted to co-editor of Von Richthofen and Brown and edited 3 more features for New World Pictures. While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown. Mike began his career with the Toronto New Wave, editing features for Bruce McDonald (Roadkill), Srinivas Krishna (Masala and Lulu) and Peter Mettler (Tectonic Plates; Picture of Light).

Thank you to our CCE staff:

Tucked away in a cabin in the woods, Geoffrey Boulangé and Sophie Deraspe set about editing the award winning film, ANTIGONE. In this session Geoffrey Boulangé discusses the processes that went into editing the film; including cutting while shooting; working in FCPX, and co-editing with director Sophie Deraspe. In 1975 Ralph went freelance and focused on drama editing, amassing a large list of credits on over 50 television movies, 16 features, 13 mini-series and multiple TV series. His commitment to excellence in the craft of editing has earned him multiple nominations and awards over the years, including Best Sound and Best Picture Editing Awards the first year of the Geminis, and an Emmy nomination for Joan of Arc. He was promoted to Editor in Charge at age 27 and a year later to Assistant Supervising Editor in charge of the day to day running of the Film Department. He had the great pleasure of working with Glenn Gould on the soundtrack of the legendary documentary The Idea of North.

Panel #2: Frame by Frame – A primer on Animation editing

His latest project, A Small Fortune, was selected for the National Screen Institutes Feature’s First program as well as The Harold Greenberg Fund’s Shorts to Features program. The screenplay placed Top 5 out of 200 international scripts in Reddit’s 2016 Screenwriting competition and was a Semi-finalist in the 2016 Shore Scripts Feature Film category. Chris’ short films have screened throughout the world, including CLEO (TIFF, Cinema City), GOLDEN BOYS (HollyShorts, Inside Out, MiFO) and THE SISTERS TOLCHINSKI (Rhode Island International Film Festival). Chris recently completed a series of projects for TIFF as supervising picture editor.

• The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television.
• Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson.
• Films he has edited have played at Cannes, Berlin, Venice and Sundance, among other festivals, with 11 features accepted at TIFF.
• JJ is currently working on EagleVisions’s ‘TAKEN’ Season 2 as a Director for 2 episodes.
• Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals.
• With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.
• Michèle’ short documentary, The Barber of Augusta just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival.

• She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.
• Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards.
• Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant.
• Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

Sarah Taylor is award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut. Projects like War Witch, Maelstrom or The Pillars of the Earth have garnered awards and nominations at the Oscars, the Golden Globes, and throughout the world in major film festivals like TIFF, Cannes, or Berlin. He’s worked with some of the finest filmmakers in Quebec, like Denis Villeneuve, Philippe Falardeau, Kim Nguyen, and Louise Archambault. She began her career in unscripted television on iconic and Emmy-winning shows such as TOP CHEF and PROJECT RUNWAY.

The 4th Annual CCE Awards Nominees & Winners

Gillian is best known for her work on ORPHAN BLACK, ANNE WITH AN E, and THE EXPANSE. She has won two CSA awards, a DGC award, and has earned eleven award Nominations. Isabelle Malenfant began her career as an assistant editor learning alongside Emmy Award winning director Yves Simoneau, on his films Napoléon, Free Money, and Nuremberg.

In 2007 he was invited by Focal Press to write the Foreword for the second edition of The Technique of Film Editing, the book that had played such a central role in his life as an editor. He describes this as one of the proudest moments in his life along with receiving a Lifetime Achievement Award from the CCE. Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University. He was inspired to become a film editor after viewing Battleship Potemkin by Sergei Eisenstein and reading the bible of the edit room, The Technique of Film Editing (K. Reisz, G. Lambert) in 1967.

Known for her comedic and musical timing, Lesley has recently been working on feature animations The Nut Job 2 and soon-to-be-released Arctic Dogs. Inbal began making films when she was in high school and later produced training films for the Israeli Defense Forces. At NYU, she was the recipient of the prestigious, merit-based, WTC Johnson Fellowship, awarded to one student filmmaker a year.

Panel #1: Documentary Confidential

Since moving to Los Angeles, Inbal has edited hundreds of hours of non-scripted network and cable television shows. She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program. Over the course of her career, Inbal has worked in the cutting rooms of directors such as Davis Guggenheim (Teach), R.J. Cutler (“American Candidate”), Kief Davidson and Daniel Junge (A Lego Brickumentary), Jeremy Simmons (“Transgeneration”), Tracy Droz Tragos (Be Good, Smile Pretty) as well as Natalie Portman’s feature directorial debut (A Tale of Love and Darkness).

Amy started as an Assistant Editor on films like MY OWN PRIVATE IDAHO, CORRINA, CORRINA, and TO DIE FOR. She edited 20 features, including HIGH ART, LAUREL CANYON, ELEGY and Gus Van Sant’s remake of PSYCHO, and TV series such as DEXTER, THE KILLING, VIDA and most recently, HUNTERS. She is currently editing the limited series MARE OF EASTTOWN, starring Kate Winslet, for HBO. Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Join Paul Day, CCE, and Michelle Tesoro, ACE, as they discuss Michelle’s work, including her most recent feat of editing an entire mini-series, THE QUEEN’S GAMBIT. He was continually recognized by the Canadian Film Editors Guild and won a Genie for his outstanding work on Joshua Then And Now. The following year he was awarded both an ACE Eddie and a Gemini for Sword Of Gideon. Collaborating with John Woo, Michael Anderson, Ted Kotcheff and Canadian legend Don Shebib to name a few, he has helped shape performances of many Hollywood legends; from Charlton Heston and Vanessa Redgrave to Lloyd Bridges and Christopher Plummer.

Raised on Star Trek, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, and most recently on HBO with the Emmy winning mini-series Big Little Lies. Roslyn’s recent drama series include Haven, Hemlock Grove, Ten Days in the Valley, and Mary Kills People. Roslyn’s passion for editing began in Montreal, where she studied Film and Screenwriting at McGill University.

Christine Armstrong is an editor who has worked on a variety of short films, tv series, commercials and feature films in the US and Canada. She is an alumni of Cineplex Entertainment Film Program Editor’s Lab at the Canadian Film Centre. His career started in the writers room and as editor on the surreal comedy series CAMPUS. Recent work includes I MAY DESTROY YOU, SALLY4EVER, LOVE WEDDING REPEAT, and the upcoming FROM DEVIL’S BREATH, directed by Orlando von Einsiedel (VIRUNGA/THE WHITE HELMETS).

Her feature film credits include collaborations with directors Stella Meghie (THE WEEKEND, THE PHOTOGRAPH), and Ali LeRoi (THE OBITUARY OF TUNDE JOHNSON). She has worked with creators Issa Rae (INSECURE), Ava DuVernay (QUEEN SUGAR), and Kenya Barris (GROWN-ISH, #BLACKAF). In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards.

Paul Hunter (Nut Job, Spark) and Lesley Mackay Hunter (The Nut Job 2 – Nutty by Nature, Arctic Justice) shed light on their careers in animated film and television, and the unique role of the editor from storyboard to screen. Inbal and Cecilia Peck’s last collaboration was the Emmy-nominated feature documentary Brave Miss World, which debuted on Netflix in 2014. It is the story of an Israeli beauty queen, who was raped seven weeks prior to her winning the Miss World pageant, and her crusade to reach out to fellow survivors while trying to keep her own rapist behind bars. Every production starts with a solid plan but step by step as each phase inches closer and closer to being received by an editor’s invisible hand, that plan will unravel. Even if it is due to a global pandemic, it is on the editor to shift gears, to persevere for the story and aim to produce beyond what was undone. Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.

She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario. Jinmo Yang is an award-winning South Korean film editor who has edited over a dozen feature films, including the international hits PARASITE, OKJA, and TRAIN TO BUSAN. The TSC is a two­ day event that gathers the best creative talent, authors and speakers in writing for film, TV and media in Canada and abroad. The Conference offers screen ­based industry professionals an advanced level of education and skills development unparalleled by any other screenwriting event in the country.

Originally from Quebec, she has worked on both French and English productions including television series, films and commercials. REEM MORSI – Reem Morsi had a career of professional scuba diving, human rights till becoming a writer/director. Morsi’s film credits include THEIR FEAST (Cannes Short Film Corner, TIFF, BBC, Cine Sud), NOSTALGIA (WIFT 2015), among others. Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016. Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals. Morsi won first place for SHOW & TELL at the WIFT/BravoFact pitch competition 2016.

Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang, ACE for an in-depth conversation about the craft of Picture Editing. Laura Zempel grew up in Sacramento, CA and received a BFA in Film Production from Chapman University. She began her career in Film and TV as an assistant editor on DEXTER, and has gone on to edit HBO’s ROOM 104, EUPHORIA, and most recently AMC’s DISPATCHES FROM ELSEWHERE. As the world settled into lockdown, TV entertainment went from distraction to lifeline. With audiences trying to make sense of world events, stories and characters matter more than ever. As the entertainment landscape shifts to meet an unprecedented need for engaging content delivered on-demand to an audience stuck at home, how will this change the stories we tell, and the way we tell them?

Rik’s diversity of talent and pursuit of excellence made him a singular talent and mentor amongst editors. When that film finished she remained at Cinepix working on hundreds of commercials for the films they distributed while finishing her education at night and during summer “holidays”, graduating in Communication Arts, magna cum laude. Roushell Goldstein was born and raised in Ottawa, Canada, received her BA from Carleton University, and immediately left Ottawa on her “Grand Tour” of Europe. In 1968, she ended her tour in Israel where she settled in the city of Jerusalem with an offer to work at the newly established Israeli Television Network. For the next five years, she worked in the editing department on news, sports, current affairs and the odd documentary (where budgets allowed).

Never one to turn down an adventure, he once traveled to Sri Lanka to edit an epic Action/Romance about the Sri Lankan civil war (in Tamil and Singhalese) for a director who contacted him randomly over the internet. The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto. The event was sold out to 150 guests and included 4 informative, lively and open discussion panels. Join Nahid Islam for an intimate Q&A on the ins and outs of post production fundamentals and answering your questions about the process behind the scenes. The eighth annual Toronto Screenwriting Conference takes place at the Metro Toronto Convention Centre on April 22 and April 23. Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

Award Nominees & Winners

She spent 3 years as the resident editor at the Banff Centre for the Arts and is a graduate of the The Canadian Film Centre. Her credits at Cinepix included Bill Fruet’s Death Weekend, Eddie Matalon’s Blackout, Ivan Reitman’s Meatballs, Larry Kent’s Yesterday and J. The panel will examine the editor’s contribution in creating original, provocative and beautifully made television. Some prizes included a Hard Drive, Copies of Art of the Cut (Steve Hullfish the author was even in attendance to sign the copies!), a copy of Avid Media Composer and subscriptions to various Boris FX programs. EditCon 2019 took place on Saturday February 2, 2019 at the TIFF Bell Lightbox in Toronto.

DAY 1: Panels & Talks

Join editor Ryan Morrison (STOWAWAY, ARCTIC) and assistant editor Russell Anderson (MANK) as they explore the challenges with remote editing work- flows and how they have solved them in their recent projects. The skills required of an assistant editor in animation are quite different from those working in live-action. Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists. Animation editor Merissa Tse shares her wisdom and experience of what makes a good assistant editor in the field of animation. From FRINGE to THE NEWSROOM, Michelle’s work shows a range of storytelling techniques.

The 2nd Annual CCE Awards Nominees & Winners

Roushell learned to edit with glue and hot-splices, then Steenbecks arrived from Germany, and she progressed to splicing tape and the splicer. That, of course, lasted for a few decades until the big transition to digital in the early 1990s. Andrew has enjoyed a career working with studios such as Fox, CBS, ABC, Marvel, and Netflix, including popular shows such as Sleepy Hollow and Bull. His work on the pilot episode of APB with Director Len Wiseman secured a first season pick up order from Fox Television.

The 5th Annual CCE Awards Nominees & Winners

Stephen Philipson CCE is an award-winning editor and proud member of the CCE since the very start. His credits include high profile TV series such as American Gods, Hannibal, and Orphan Black. He also cut Canadian film favourites such as The Wild Hunt, voted Best Canadian First Feature and one of Canada’s Top Ten by the Toronto International Film Festival, and Grown Up Movie Star, a prize-winner at Sundance. Roslyn’s television projects can be seen on NETFLIX, HBO Canada, ABC, Syfy, Lifetime, Global and the CBC. She has earned CCE and DGC Nominations for her editing in the categories of documentary, TV Movie and Mini-Series. With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.

• With an unconventional background in stage performance, music and sound, which she uses to enhance her storytelling techniques.
• He has recently worked with director Sam Levinson on the series EUPHORIA, as well as the upcoming feature MALCOLM AND MARIE.
• Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University.
• Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists.
• Morsi participated at the 2012 Berlinale Talent Campus, 2016 TIFF Talent Lab and Women in the Director’s Chair.

TSC Announces New Voices Awards

Since then he has been lucky to work on such diverse projects as The Daniels’ SWISS ARMY MAN, Denis Villeneuve’s ENEMY and Sundance hit JAMES WHITE. Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant. He’s cut more than two-dozen feature and one hundred TV documentaries for filmmakers across the globe. Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson. With 2 films on Criterion, 3 Top Ten Canadian films, 5 films at MoMA, 10 at TIFF, and 15 at HotDocs, the first 30 years have been a lot of fun. Award winning editor Lisa Grootenboer is an industry staple with two plus decades of experience.

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy

• While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown.
• She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work.
• She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.
• Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.
• The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto.
• His latest project, A Small Fortune, was selected for the National Screen Institutes Feature’s First program as well as The Harold Greenberg Fund’s Shorts to Features program.
• Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Paul has been a picture editor for 25 years and has worked with such companies as Netflix, MGM, AMC, Showtime and many more. Some of his recent editing credits include ANOTHER LIFE, RANSOM, INTO THE BADLANDS, DARK MATTER and LOST GIRL. He is one of the Canadian Cinema Editors’ mgm grand darknet official co-founders and currently sits on the National Board for the Directors Guild of Canada. Stephen is honoured to serve as CCE President and help the CCE advocate for editors across Canada. In 1987 Alan was series editor on the original Degrassi High series directed by Kit Hood.

Panel #1: Making a difference – Cutting content with an important social message

• Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.
• As well, Mike has edited several award-winning documentaries, including Stories We Tell, for director Sarah Polley.
• Some of her other credits include the series The Expanse, Houdini & Doyle, The L.A. Complex, and the feature films Seven in Heaven, for Blumhouse Productions, A Christmas Horror Story, for Copperheart Entertainment, and Compulsion, for Dimension Films.
• She has won two CSA awards, a DGC award, and has earned eleven award Nominations.
• He got his start writing and directing web-series, shorts and over a dozen food-based series with celebrity Chef Michael Smith.
• She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program.
• Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016.

His latest film, LUBA, won multiple awards at the Canadian Film Fest and earned him a CCE awards nomination. Recently completed are three short films screening at this year’s Available Light Film Festival in Whitehorse. He is currently editing Easy Land, the first feature of Serbian-Canadian director Sanja Zivkovic. Chris has served as vice-president of the CCE and continues to stay involved as part of the Global Opportunities Committee. Helen Haig-Brown (Tsilhqot’in) is an award-winning director and a leading talent in experimental documentary.

En discussion avec Myriam Poirier, CCE

Over the past decade, Véronique has edited a wide range of projects including short films, music videos, documentaries, advertising, and TV series. Most recently she contributed to HBO’s Big Little Lies, and is currently working on Jean-Marc Vallée’s next HBO series Sharp Objects. Award winning editor, Teresa has been editing TV drama for more than 20 years. Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.

Main Features

Collins then edited David Cronenberg’s The Brood, which later became a cult classic. Corman invited him to Hollywood, where he was promoted to co-editor of Von Richthofen and Brown and edited 3 more features for New World Pictures. While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown. Mike began his career with the Toronto New Wave, editing features for Bruce McDonald (Roadkill), Srinivas Krishna (Masala and Lulu) and Peter Mettler (Tectonic Plates; Picture of Light).

Thank you to our CCE staff:

Tucked away in a cabin in the woods, Geoffrey Boulangé and Sophie Deraspe set about editing the award winning film, ANTIGONE. In this session Geoffrey Boulangé discusses the processes that went into editing the film; including cutting while shooting; working in FCPX, and co-editing with director Sophie Deraspe. In 1975 Ralph went freelance and focused on drama editing, amassing a large list of credits on over 50 television movies, 16 features, 13 mini-series and multiple TV series. His commitment to excellence in the craft of editing has earned him multiple nominations and awards over the years, including Best Sound and Best Picture Editing Awards the first year of the Geminis, and an Emmy nomination for Joan of Arc. He was promoted to Editor in Charge at age 27 and a year later to Assistant Supervising Editor in charge of the day to day running of the Film Department. He had the great pleasure of working with Glenn Gould on the soundtrack of the legendary documentary The Idea of North.

Panel #2: Frame by Frame – A primer on Animation editing

His latest project, A Small Fortune, was selected for the National Screen Institutes Feature’s First program as well as The Harold Greenberg Fund’s Shorts to Features program. The screenplay placed Top 5 out of 200 international scripts in Reddit’s 2016 Screenwriting competition and was a Semi-finalist in the 2016 Shore Scripts Feature Film category. Chris’ short films have screened throughout the world, including CLEO (TIFF, Cinema City), GOLDEN BOYS (HollyShorts, Inside Out, MiFO) and THE SISTERS TOLCHINSKI (Rhode Island International Film Festival). Chris recently completed a series of projects for TIFF as supervising picture editor.

• The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television.
• Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson.
• Films he has edited have played at Cannes, Berlin, Venice and Sundance, among other festivals, with 11 features accepted at TIFF.
• JJ is currently working on EagleVisions’s ‘TAKEN’ Season 2 as a Director for 2 episodes.
• Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals.
• With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.
• Michèle’ short documentary, The Barber of Augusta just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival.

• She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.
• Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards.
• Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant.
• Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

Sarah Taylor is award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut. Projects like War Witch, Maelstrom or The Pillars of the Earth have garnered awards and nominations at the Oscars, the Golden Globes, and throughout the world in major film festivals like TIFF, Cannes, or Berlin. He’s worked with some of the finest filmmakers in Quebec, like Denis Villeneuve, Philippe Falardeau, Kim Nguyen, and Louise Archambault. She began her career in unscripted television on iconic and Emmy-winning shows such as TOP CHEF and PROJECT RUNWAY.

The 4th Annual CCE Awards Nominees & Winners

Gillian is best known for her work on ORPHAN BLACK, ANNE WITH AN E, and THE EXPANSE. She has won two CSA awards, a DGC award, and has earned eleven award Nominations. Isabelle Malenfant began her career as an assistant editor learning alongside Emmy Award winning director Yves Simoneau, on his films Napoléon, Free Money, and Nuremberg.

In 2007 he was invited by Focal Press to write the Foreword for the second edition of The Technique of Film Editing, the book that had played such a central role in his life as an editor. He describes this as one of the proudest moments in his life along with receiving a Lifetime Achievement Award from the CCE. Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University. He was inspired to become a film editor after viewing Battleship Potemkin by Sergei Eisenstein and reading the bible of the edit room, The Technique of Film Editing (K. Reisz, G. Lambert) in 1967.

Known for her comedic and musical timing, Lesley has recently been working on feature animations The Nut Job 2 and soon-to-be-released Arctic Dogs. Inbal began making films when she was in high school and later produced training films for the Israeli Defense Forces. At NYU, she was the recipient of the prestigious, merit-based, WTC Johnson Fellowship, awarded to one student filmmaker a year.

Panel #1: Documentary Confidential

Since moving to Los Angeles, Inbal has edited hundreds of hours of non-scripted network and cable television shows. She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program. Over the course of her career, Inbal has worked in the cutting rooms of directors such as Davis Guggenheim (Teach), R.J. Cutler (“American Candidate”), Kief Davidson and Daniel Junge (A Lego Brickumentary), Jeremy Simmons (“Transgeneration”), Tracy Droz Tragos (Be Good, Smile Pretty) as well as Natalie Portman’s feature directorial debut (A Tale of Love and Darkness).

Amy started as an Assistant Editor on films like MY OWN PRIVATE IDAHO, CORRINA, CORRINA, and TO DIE FOR. She edited 20 features, including HIGH ART, LAUREL CANYON, ELEGY and Gus Van Sant’s remake of PSYCHO, and TV series such as DEXTER, THE KILLING, VIDA and most recently, HUNTERS. She is currently editing the limited series MARE OF EASTTOWN, starring Kate Winslet, for HBO. Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Join Paul Day, CCE, and Michelle Tesoro, ACE, as they discuss Michelle’s work, including her most recent feat of editing an entire mini-series, THE QUEEN’S GAMBIT. He was continually recognized by the Canadian Film Editors Guild and won a Genie for his outstanding work on Joshua Then And Now. The following year he was awarded both an ACE Eddie and a Gemini for Sword Of Gideon. Collaborating with John Woo, Michael Anderson, Ted Kotcheff and Canadian legend Don Shebib to name a few, he has helped shape performances of many Hollywood legends; from Charlton Heston and Vanessa Redgrave to Lloyd Bridges and Christopher Plummer.

Raised on Star Trek, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, and most recently on HBO with the Emmy winning mini-series Big Little Lies. Roslyn’s recent drama series include Haven, Hemlock Grove, Ten Days in the Valley, and Mary Kills People. Roslyn’s passion for editing began in Montreal, where she studied Film and Screenwriting at McGill University.

Christine Armstrong is an editor who has worked on a variety of short films, tv series, commercials and feature films in the US and Canada. She is an alumni of Cineplex Entertainment Film Program Editor’s Lab at the Canadian Film Centre. His career started in the writers room and as editor on the surreal comedy series CAMPUS. Recent work includes I MAY DESTROY YOU, SALLY4EVER, LOVE WEDDING REPEAT, and the upcoming FROM DEVIL’S BREATH, directed by Orlando von Einsiedel (VIRUNGA/THE WHITE HELMETS).

Her feature film credits include collaborations with directors Stella Meghie (THE WEEKEND, THE PHOTOGRAPH), and Ali LeRoi (THE OBITUARY OF TUNDE JOHNSON). She has worked with creators Issa Rae (INSECURE), Ava DuVernay (QUEEN SUGAR), and Kenya Barris (GROWN-ISH, #BLACKAF). In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards.

Paul Hunter (Nut Job, Spark) and Lesley Mackay Hunter (The Nut Job 2 – Nutty by Nature, Arctic Justice) shed light on their careers in animated film and television, and the unique role of the editor from storyboard to screen. Inbal and Cecilia Peck’s last collaboration was the Emmy-nominated feature documentary Brave Miss World, which debuted on Netflix in 2014. It is the story of an Israeli beauty queen, who was raped seven weeks prior to her winning the Miss World pageant, and her crusade to reach out to fellow survivors while trying to keep her own rapist behind bars. Every production starts with a solid plan but step by step as each phase inches closer and closer to being received by an editor’s invisible hand, that plan will unravel. Even if it is due to a global pandemic, it is on the editor to shift gears, to persevere for the story and aim to produce beyond what was undone. Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.

She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario. Jinmo Yang is an award-winning South Korean film editor who has edited over a dozen feature films, including the international hits PARASITE, OKJA, and TRAIN TO BUSAN. The TSC is a two­ day event that gathers the best creative talent, authors and speakers in writing for film, TV and media in Canada and abroad. The Conference offers screen ­based industry professionals an advanced level of education and skills development unparalleled by any other screenwriting event in the country.

Originally from Quebec, she has worked on both French and English productions including television series, films and commercials. REEM MORSI – Reem Morsi had a career of professional scuba diving, human rights till becoming a writer/director. Morsi’s film credits include THEIR FEAST (Cannes Short Film Corner, TIFF, BBC, Cine Sud), NOSTALGIA (WIFT 2015), among others. Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016. Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals. Morsi won first place for SHOW & TELL at the WIFT/BravoFact pitch competition 2016.

Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang, ACE for an in-depth conversation about the craft of Picture Editing. Laura Zempel grew up in Sacramento, CA and received a BFA in Film Production from Chapman University. She began her career in Film and TV as an assistant editor on DEXTER, and has gone on to edit HBO’s ROOM 104, EUPHORIA, and most recently AMC’s DISPATCHES FROM ELSEWHERE. As the world settled into lockdown, TV entertainment went from distraction to lifeline. With audiences trying to make sense of world events, stories and characters matter more than ever. As the entertainment landscape shifts to meet an unprecedented need for engaging content delivered on-demand to an audience stuck at home, how will this change the stories we tell, and the way we tell them?

Rik’s diversity of talent and pursuit of excellence made him a singular talent and mentor amongst editors. When that film finished she remained at Cinepix working on hundreds of commercials for the films they distributed while finishing her education at night and during summer “holidays”, graduating in Communication Arts, magna cum laude. Roushell Goldstein was born and raised in Ottawa, Canada, received her BA from Carleton University, and immediately left Ottawa on her “Grand Tour” of Europe. In 1968, she ended her tour in Israel where she settled in the city of Jerusalem with an offer to work at the newly established Israeli Television Network. For the next five years, she worked in the editing department on news, sports, current affairs and the odd documentary (where budgets allowed).

Never one to turn down an adventure, he once traveled to Sri Lanka to edit an epic Action/Romance about the Sri Lankan civil war (in Tamil and Singhalese) for a director who contacted him randomly over the internet. The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto. The event was sold out to 150 guests and included 4 informative, lively and open discussion panels. Join Nahid Islam for an intimate Q&A on the ins and outs of post production fundamentals and answering your questions about the process behind the scenes. The eighth annual Toronto Screenwriting Conference takes place at the Metro Toronto Convention Centre on April 22 and April 23. Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

Award Nominees & Winners

She spent 3 years as the resident editor at the Banff Centre for the Arts and is a graduate of the The Canadian Film Centre. Her credits at Cinepix included Bill Fruet’s Death Weekend, Eddie Matalon’s Blackout, Ivan Reitman’s Meatballs, Larry Kent’s Yesterday and J. The panel will examine the editor’s contribution in creating original, provocative and beautifully made television. Some prizes included a Hard Drive, Copies of Art of the Cut (Steve Hullfish the author was even in attendance to sign the copies!), a copy of Avid Media Composer and subscriptions to various Boris FX programs. EditCon 2019 took place on Saturday February 2, 2019 at the TIFF Bell Lightbox in Toronto.

DAY 1: Panels & Talks

Join editor Ryan Morrison (STOWAWAY, ARCTIC) and assistant editor Russell Anderson (MANK) as they explore the challenges with remote editing work- flows and how they have solved them in their recent projects. The skills required of an assistant editor in animation are quite different from those working in live-action. Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists. Animation editor Merissa Tse shares her wisdom and experience of what makes a good assistant editor in the field of animation. From FRINGE to THE NEWSROOM, Michelle’s work shows a range of storytelling techniques.

The 2nd Annual CCE Awards Nominees & Winners

Roushell learned to edit with glue and hot-splices, then Steenbecks arrived from Germany, and she progressed to splicing tape and the splicer. That, of course, lasted for a few decades until the big transition to digital in the early 1990s. Andrew has enjoyed a career working with studios such as Fox, CBS, ABC, Marvel, and Netflix, including popular shows such as Sleepy Hollow and Bull. His work on the pilot episode of APB with Director Len Wiseman secured a first season pick up order from Fox Television.

The 5th Annual CCE Awards Nominees & Winners

Stephen Philipson CCE is an award-winning editor and proud member of the CCE since the very start. His credits include high profile TV series such as American Gods, Hannibal, and Orphan Black. He also cut Canadian film favourites such as The Wild Hunt, voted Best Canadian First Feature and one of Canada’s Top Ten by the Toronto International Film Festival, and Grown Up Movie Star, a prize-winner at Sundance. Roslyn’s television projects can be seen on NETFLIX, HBO Canada, ABC, Syfy, Lifetime, Global and the CBC. She has earned CCE and DGC Nominations for her editing in the categories of documentary, TV Movie and Mini-Series. With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.

• With an unconventional background in stage performance, music and sound, which she uses to enhance her storytelling techniques.
• He has recently worked with director Sam Levinson on the series EUPHORIA, as well as the upcoming feature MALCOLM AND MARIE.
• Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University.
• Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists.
• Morsi participated at the 2012 Berlinale Talent Campus, 2016 TIFF Talent Lab and Women in the Director’s Chair.

TSC Announces New Voices Awards

Since then he has been lucky to work on such diverse projects as The Daniels’ SWISS ARMY MAN, Denis Villeneuve’s ENEMY and Sundance hit JAMES WHITE. Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant. He’s cut more than two-dozen feature and one hundred TV documentaries for filmmakers across the globe. Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson. With 2 films on Criterion, 3 Top Ten Canadian films, 5 films at MoMA, 10 at TIFF, and 15 at HotDocs, the first 30 years have been a lot of fun. Award winning editor Lisa Grootenboer is an industry staple with two plus decades of experience.

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy

• While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown.
• She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work.
• She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.
• Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.
• The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto.
• His latest project, A Small Fortune, was selected for the National Screen Institutes Feature’s First program as well as The Harold Greenberg Fund’s Shorts to Features program.
• Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Paul has been a picture editor for 25 years and has worked with such companies as Netflix, MGM, AMC, Showtime and many more. Some of his recent editing credits include ANOTHER LIFE, RANSOM, INTO THE BADLANDS, DARK MATTER and LOST GIRL. He is one of the Canadian Cinema Editors’ mgm grand darknet official co-founders and currently sits on the National Board for the Directors Guild of Canada. Stephen is honoured to serve as CCE President and help the CCE advocate for editors across Canada. In 1987 Alan was series editor on the original Degrassi High series directed by Kit Hood.

Panel #1: Making a difference – Cutting content with an important social message

• Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.
• As well, Mike has edited several award-winning documentaries, including Stories We Tell, for director Sarah Polley.
• Some of her other credits include the series The Expanse, Houdini & Doyle, The L.A. Complex, and the feature films Seven in Heaven, for Blumhouse Productions, A Christmas Horror Story, for Copperheart Entertainment, and Compulsion, for Dimension Films.
• She has won two CSA awards, a DGC award, and has earned eleven award Nominations.
• He got his start writing and directing web-series, shorts and over a dozen food-based series with celebrity Chef Michael Smith.
• She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program.
• Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016.

His latest film, LUBA, won multiple awards at the Canadian Film Fest and earned him a CCE awards nomination. Recently completed are three short films screening at this year’s Available Light Film Festival in Whitehorse. He is currently editing Easy Land, the first feature of Serbian-Canadian director Sanja Zivkovic. Chris has served as vice-president of the CCE and continues to stay involved as part of the Global Opportunities Committee. Helen Haig-Brown (Tsilhqot’in) is an award-winning director and a leading talent in experimental documentary.

En discussion avec Myriam Poirier, CCE

Over the past decade, Véronique has edited a wide range of projects including short films, music videos, documentaries, advertising, and TV series. Most recently she contributed to HBO’s Big Little Lies, and is currently working on Jean-Marc Vallée’s next HBO series Sharp Objects. Award winning editor, Teresa has been editing TV drama for more than 20 years. Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.

Main Features

Collins then edited David Cronenberg’s The Brood, which later became a cult classic. Corman invited him to Hollywood, where he was promoted to co-editor of Von Richthofen and Brown and edited 3 more features for New World Pictures. While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown. Mike began his career with the Toronto New Wave, editing features for Bruce McDonald (Roadkill), Srinivas Krishna (Masala and Lulu) and Peter Mettler (Tectonic Plates; Picture of Light).

Thank you to our CCE staff:

Tucked away in a cabin in the woods, Geoffrey Boulangé and Sophie Deraspe set about editing the award winning film, ANTIGONE. In this session Geoffrey Boulangé discusses the processes that went into editing the film; including cutting while shooting; working in FCPX, and co-editing with director Sophie Deraspe. In 1975 Ralph went freelance and focused on drama editing, amassing a large list of credits on over 50 television movies, 16 features, 13 mini-series and multiple TV series. His commitment to excellence in the craft of editing has earned him multiple nominations and awards over the years, including Best Sound and Best Picture Editing Awards the first year of the Geminis, and an Emmy nomination for Joan of Arc. He was promoted to Editor in Charge at age 27 and a year later to Assistant Supervising Editor in charge of the day to day running of the Film Department. He had the great pleasure of working with Glenn Gould on the soundtrack of the legendary documentary The Idea of North.

Panel #2: Frame by Frame – A primer on Animation editing

His latest project, A Small Fortune, was selected for the National Screen Institutes Feature’s First program as well as The Harold Greenberg Fund’s Shorts to Features program. The screenplay placed Top 5 out of 200 international scripts in Reddit’s 2016 Screenwriting competition and was a Semi-finalist in the 2016 Shore Scripts Feature Film category. Chris’ short films have screened throughout the world, including CLEO (TIFF, Cinema City), GOLDEN BOYS (HollyShorts, Inside Out, MiFO) and THE SISTERS TOLCHINSKI (Rhode Island International Film Festival). Chris recently completed a series of projects for TIFF as supervising picture editor.

• The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television.
• Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson.
• Films he has edited have played at Cannes, Berlin, Venice and Sundance, among other festivals, with 11 features accepted at TIFF.
• JJ is currently working on EagleVisions’s ‘TAKEN’ Season 2 as a Director for 2 episodes.
• Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals.
• With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance.
• Michèle’ short documentary, The Barber of Augusta just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival.

• She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.
• Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards.
• Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant.
• Each winner receives a pass to the TSC and a meeting with representatives from Telefilm Canada.

Sarah Taylor is award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut. Projects like War Witch, Maelstrom or The Pillars of the Earth have garnered awards and nominations at the Oscars, the Golden Globes, and throughout the world in major film festivals like TIFF, Cannes, or Berlin. He’s worked with some of the finest filmmakers in Quebec, like Denis Villeneuve, Philippe Falardeau, Kim Nguyen, and Louise Archambault. She began her career in unscripted television on iconic and Emmy-winning shows such as TOP CHEF and PROJECT RUNWAY.

The 4th Annual CCE Awards Nominees & Winners

Gillian is best known for her work on ORPHAN BLACK, ANNE WITH AN E, and THE EXPANSE. She has won two CSA awards, a DGC award, and has earned eleven award Nominations. Isabelle Malenfant began her career as an assistant editor learning alongside Emmy Award winning director Yves Simoneau, on his films Napoléon, Free Money, and Nuremberg.

In 2007 he was invited by Focal Press to write the Foreword for the second edition of The Technique of Film Editing, the book that had played such a central role in his life as an editor. He describes this as one of the proudest moments in his life along with receiving a Lifetime Achievement Award from the CCE. Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University. He was inspired to become a film editor after viewing Battleship Potemkin by Sergei Eisenstein and reading the bible of the edit room, The Technique of Film Editing (K. Reisz, G. Lambert) in 1967.

Known for her comedic and musical timing, Lesley has recently been working on feature animations The Nut Job 2 and soon-to-be-released Arctic Dogs. Inbal began making films when she was in high school and later produced training films for the Israeli Defense Forces. At NYU, she was the recipient of the prestigious, merit-based, WTC Johnson Fellowship, awarded to one student filmmaker a year.

Panel #1: Documentary Confidential

Since moving to Los Angeles, Inbal has edited hundreds of hours of non-scripted network and cable television shows. She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program. Over the course of her career, Inbal has worked in the cutting rooms of directors such as Davis Guggenheim (Teach), R.J. Cutler (“American Candidate”), Kief Davidson and Daniel Junge (A Lego Brickumentary), Jeremy Simmons (“Transgeneration”), Tracy Droz Tragos (Be Good, Smile Pretty) as well as Natalie Portman’s feature directorial debut (A Tale of Love and Darkness).

Amy started as an Assistant Editor on films like MY OWN PRIVATE IDAHO, CORRINA, CORRINA, and TO DIE FOR. She edited 20 features, including HIGH ART, LAUREL CANYON, ELEGY and Gus Van Sant’s remake of PSYCHO, and TV series such as DEXTER, THE KILLING, VIDA and most recently, HUNTERS. She is currently editing the limited series MARE OF EASTTOWN, starring Kate Winslet, for HBO. Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Join Paul Day, CCE, and Michelle Tesoro, ACE, as they discuss Michelle’s work, including her most recent feat of editing an entire mini-series, THE QUEEN’S GAMBIT. He was continually recognized by the Canadian Film Editors Guild and won a Genie for his outstanding work on Joshua Then And Now. The following year he was awarded both an ACE Eddie and a Gemini for Sword Of Gideon. Collaborating with John Woo, Michael Anderson, Ted Kotcheff and Canadian legend Don Shebib to name a few, he has helped shape performances of many Hollywood legends; from Charlton Heston and Vanessa Redgrave to Lloyd Bridges and Christopher Plummer.

Raised on Star Trek, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, and most recently on HBO with the Emmy winning mini-series Big Little Lies. Roslyn’s recent drama series include Haven, Hemlock Grove, Ten Days in the Valley, and Mary Kills People. Roslyn’s passion for editing began in Montreal, where she studied Film and Screenwriting at McGill University.

Christine Armstrong is an editor who has worked on a variety of short films, tv series, commercials and feature films in the US and Canada. She is an alumni of Cineplex Entertainment Film Program Editor’s Lab at the Canadian Film Centre. His career started in the writers room and as editor on the surreal comedy series CAMPUS. Recent work includes I MAY DESTROY YOU, SALLY4EVER, LOVE WEDDING REPEAT, and the upcoming FROM DEVIL’S BREATH, directed by Orlando von Einsiedel (VIRUNGA/THE WHITE HELMETS).

Her feature film credits include collaborations with directors Stella Meghie (THE WEEKEND, THE PHOTOGRAPH), and Ali LeRoi (THE OBITUARY OF TUNDE JOHNSON). She has worked with creators Issa Rae (INSECURE), Ava DuVernay (QUEEN SUGAR), and Kenya Barris (GROWN-ISH, #BLACKAF). In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards.

Paul Hunter (Nut Job, Spark) and Lesley Mackay Hunter (The Nut Job 2 – Nutty by Nature, Arctic Justice) shed light on their careers in animated film and television, and the unique role of the editor from storyboard to screen. Inbal and Cecilia Peck’s last collaboration was the Emmy-nominated feature documentary Brave Miss World, which debuted on Netflix in 2014. It is the story of an Israeli beauty queen, who was raped seven weeks prior to her winning the Miss World pageant, and her crusade to reach out to fellow survivors while trying to keep her own rapist behind bars. Every production starts with a solid plan but step by step as each phase inches closer and closer to being received by an editor’s invisible hand, that plan will unravel. Even if it is due to a global pandemic, it is on the editor to shift gears, to persevere for the story and aim to produce beyond what was undone. Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.

She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario. Jinmo Yang is an award-winning South Korean film editor who has edited over a dozen feature films, including the international hits PARASITE, OKJA, and TRAIN TO BUSAN. The TSC is a two­ day event that gathers the best creative talent, authors and speakers in writing for film, TV and media in Canada and abroad. The Conference offers screen ­based industry professionals an advanced level of education and skills development unparalleled by any other screenwriting event in the country.

Originally from Quebec, she has worked on both French and English productions including television series, films and commercials. REEM MORSI – Reem Morsi had a career of professional scuba diving, human rights till becoming a writer/director. Morsi’s film credits include THEIR FEAST (Cannes Short Film Corner, TIFF, BBC, Cine Sud), NOSTALGIA (WIFT 2015), among others. Morsi received a scriptwriting grant for her feature film BOOTLEG, March 2016. Her short film BOOTLEG won best Canadian short in London and is also competing at other festivals. Morsi won first place for SHOW & TELL at the WIFT/BravoFact pitch competition 2016.

Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang, ACE for an in-depth conversation about the craft of Picture Editing. Laura Zempel grew up in Sacramento, CA and received a BFA in Film Production from Chapman University. She began her career in Film and TV as an assistant editor on DEXTER, and has gone on to edit HBO’s ROOM 104, EUPHORIA, and most recently AMC’s DISPATCHES FROM ELSEWHERE. As the world settled into lockdown, TV entertainment went from distraction to lifeline. With audiences trying to make sense of world events, stories and characters matter more than ever. As the entertainment landscape shifts to meet an unprecedented need for engaging content delivered on-demand to an audience stuck at home, how will this change the stories we tell, and the way we tell them?

Rik’s diversity of talent and pursuit of excellence made him a singular talent and mentor amongst editors. When that film finished she remained at Cinepix working on hundreds of commercials for the films they distributed while finishing her education at night and during summer “holidays”, graduating in Communication Arts, magna cum laude. Roushell Goldstein was born and raised in Ottawa, Canada, received her BA from Carleton University, and immediately left Ottawa on her “Grand Tour” of Europe. In 1968, she ended her tour in Israel where she settled in the city of Jerusalem with an offer to work at the newly established Israeli Television Network. For the next five years, she worked in the editing department on news, sports, current affairs and the odd documentary (where budgets allowed).

And its not coming from Financial Planning firms its coming from other Accounting firms of various sizes & locations. Remember you don’t need to be thinking retirement to consider a merger. We have advised younger Practitioners in mergers so they can shift from managing a practice to client relationships. On the one hand, Accountants are stressed, working long hours & are tired just keeping up with their existing client needs.

Our Services

Editing bills takes so much longer than it should because of how it has to be done. We have a great working relationship with Marty and his team. Working with clients to present their properties before going to market often means timetabling several contractors to work within a small time frame. Marty and his team are not only great to work alongside, they always produce a fantastic result. As specialist brokers in the flexible office market, Rubberdesk is across all the options, offers and availability.

‘Better value’ from niche property trusts in volatile times

The 4 berth Florium Wincester comes with a versatile interior to maximize every facility that you need–rear upscale lounge, over cab double bed, dinette, ergonomic kitchen, and palatial living quarters. Aside from the functional amenities, you get to enjoy the modern features of this Fiat 2,3 MJET 150BHP. An automatic model, you are assured of an easy-to-drive unit with everything you need for a home on wheels.

Former Young Rich Lister’s surprise return to the business she left behind

So I contacted about 6 different floor sanding/polishing companies. They turned up when they said they would and, when they found the floors in need of more work than would normally be the case they didn’t blink. They worked to get the job done to the highest standard. Markets coverage, company profiles and industry insights from Australia’s best business journalists – all collated and delivered straight to your inbox every day. “Still, it is a business that requires financial leverage to drive higher economic profits, bringing the threat of value destruction from a severe credit or overpayment for PDLs,” says Morningstar’s notes. PDLs are mainly acquired from banks and financial institutions, and are mostly secured credit card debt that are at least six months in arrears and already been through a collection process.

• If you have an alternative address like an office or workplace we can deliver to this would make the process of dispatch run smoothly.
• When I wanted to add staff, the Abacus Private Cloud let all of my team utilize the AbacusLaw software with ease, from home and from other states where I am also licensed.
• That is why Abacus Motorhome Hire only rents out motorhomes under 36 months old.
• In comparison, the 4 berth spotlights its drop-down bed while the 6 berth takes pride of its cab-over bed.
• Pop up features that I do not use are annoying and difficult to turn off.
• These motorhomes are fully fitted with all the things you need and some extras like crockery, cutlery, and utensils.
• Labeled Verified, they’re about genuine experiences.Learn more about other kinds of reviews.

What happened in FY 2023?

I would highly highly recommend Abacus flooring for anyone looking in Sydney. A neighbour recommended Abacus Flooring to me and I couldn’t have hoped for a better service and quality. Marco did a brilliant job and was a pleasure to deal with.

Product features

The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Driving a brand new model is way convenient than maneuvering classic cars.

New Hope share price races higher despite FY 2024 profit crunch

Companies can ask for reviews via automatic invitations. Labeled Verified, they’re about genuine experiences.Learn more about other kinds of reviews. People who write reviews have ownership to edit or delete them at any time, and they’ll be displayed as long as an account is active. Suggested companies are based on people’s browsing tendencies.

How to be a high-performance candidate in the Accounting and Finance market in 2024 in Australia

For every hard surface there is a natural softness to counteract it whether it’s piles of fresh vegetables laying on a table or wooden planter boxes filled with herbs and plants. Once seated, your waiter is there for whatever assistance you might need and offering you drinks ranging from morning cocktails, fresh coffee or cold-pressed juices made in house. Our dedication to customer satisfaction is what sets us apart from our competitors. We pride ourselves on being able to provide customers with reliable printers that enhance their workflow while also listening carefully to the specific needs of each individual company. The market has plenty of tailwinds, including an imbalance in supply and demand for space, densification of residential property, and the growth of e-commerce, according to Abacus. I appreciate that the court rules are listed/referenced in the events.

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Having a CV and a cover letter on hand with details about your experiences and contact details is not enough to stand out. You need to use all your knowledge to your advantage and use these tools to tell your story in a concise and fundamental way. By following the tips and advice in this blog, you will be on the right path to achieving your goals and becoming a successful professional in the Accounting and Finance field. As well as being the proud partner of Cadigal, Rubberdesk also exclusively powers flexible workspace for Commercial Real Estate. It is a view supported by major office landlord Abacus Property Group, which has just announced the launch of its new flex brand.

This ASX 200 real estate share is jumping 8% despite a huge profit decline

You can’t just double click on a number in a report to get more information on it like many other software programs. If you print a check, you can’t change anything about it with an edit; you have to delete the entire thing to make small changes. Entering time takes forever because you have to go into each matter separately and enter your time instead of a large platform to enter time for each matter on one sheet.

Join today and access the latest views on the latest developments from a professional money manager. Founded in 1993 by brothers Tom and David Gardner, The Motley Fool helps millions of people attain financial freedom through our website, podcasts, books, newspaper column, radio show and premium investing services. The Motley Fool launched its Australian presence in 2011, and since then has grown to reach over 1 million Australians.

We have real time pricing for thousands of spaces listed by hundreds of providers to help find your next office. Swift Escape has two variants―the 4+1 and 5+1 motorhomes. These two have almost the same layout, starring a front double bed and rear bunk beds. In comparison, the 4 berth spotlights its drop-down bed while the 6 berth takes pride of its cab-over bed. Consequently, the cab-over area of the 4 berth is used as an extra storage place.

• Correcting an error often becomes a lengthy boondoggle that takes ridiculous amounts of time.
• We purchased AbacusLaw five years ago and now the program keeps crashing and the rude support personnel blame us for using an outdated version which Abacus says it is trying to faze out an no longer support.
• Overall, this trading school offers you the opportunity to gain excellent knowledge (if you have none), and to expand and solidify it (if you have any).
• We use it every day to track matter activity, coordinate schedules, meet deadlines, retrieve critical information, and bill clients.
• Abacus Motorhome Hire wants you to have a unique and smooth holiday with its wide range of modern motorhomes that are designed for a rather stylish road trip.

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The living quarters has a sofa and forward-facing seat with seat belt, both of which add up to convert into an extra double bed. The bathroom is in the back area, just beside the fixed bed. On the other hand, this 6 berth Baily Approach is furnished with a large U-shaped rear lounge that transforms into a very spacious double bed. The front seating area plus dinette becomes another double bed. And also on the same area comes a restricting the pull-down double bed so that the motorhome can sleep up to a total of 6 people.

It’s Saturday morning and you enter Abacus which sits in an old bank building next to Melbourne’s fresh food market, Prahran Market. Your eyes linger upwards taking in every aspect of the double height space lined with greenery and dotted with beautiful glowing light fixtures. As you take in the space, you get a sense of what Abacus is all about – honesty and refinement.

Introducing the Bailey Approach Autograph 730, this luxury 2 berth is powered by a powerful engine with 6-speed manual gearbox. This modern motorhome with lightweight chassis is reliable on the road. With its 7.5m length, you get a spacious layout that includes a central kitchen, a permanent rear double bed, front lounge that converts into an extra bed, and washroom with a distinct cubicle. The add-ins do not work consistently and have more cons than pros. The reporting is not very good and making deposits that are not client checks makes no sense. The system is good for basic legal clients, but anything more complex and there’s issues.

With the forms we do have set up, many times we have to make adjustments each time we use them so it is not worth the time or hassle to do so and we end up creating the document with out using Abacus forms. I wish the calendar syncing feature with Google calendar/Outlook was easier and not manually required. We remain confident that both vehicles are positioned to leverage our key enablers and deliver recurring income and value creation over the medium to long term. The ASX 200 real estate share has reconfirmed its FY 2024 guidance. Things were also positive for its FFO and EBIT during the 12 months.

Always a calm and reassuring voice amidst completely chaotic situations, able to explain complicated processes in ways that sound simple. He’s been readily available throughout, both over the phone and by email. Thank you for all you have done and continue to do for us, Jack and Jemma.

ABACUS is available either on premise or as a cloud-based tool for modeling, analytics and data visualization. The job market for Accounting and Finance professionals continues to be dynamic with multiple changes over a short period of time. If you want to stand out in this competitive market and become a high-performance candidate, this content is for you.

Perhaps you should give us a call and learn a bit more on why now is a good time to look at your options. We advise Accountants on mergers, acquisitions & the sale of their practice. We enjoy what we do & the feedback from our clients has been great.

• You can visit Abacus for breakfast, lunch, evening drinks, snacks or dinner.
• Instead of allowing me to input what I want to input, if I mark an invoice or invoices.
• Everything ran very smoothly and they kept in regular contact.
• Support used to be excellent when you had a question; due to company growth and buying other business it is no longer possible to get phone support in a timely manner.
• Abacus now serves customers all across Australia, providing exceptional technology solutions from coast to coast.
• A truly exceptional, efficient and professional service.
• Help others learn about this company by sharing your first-hand information with other road-trippers.

Evening menus move into pizza, tapas and drinking territory, with some nifty cocktails and a lot of homegrown beers and wines to get you started. Those naughty croquettes sneak onto the night menu alongside other shareable snacks like snapper wings with finger lime, sardines with pickled lemon, and pork belly with mushroom. Breakfasts can run from a simple, feathery, house-made pain au chocolat to the Abacus bircher, with house-milled roasted oats, fruit and a chunk of honeycomb from the roof. More savoury options include smoky beans revved with chipotle, and chilli-folded scrambled eggs with seaweed and olive dust, served on charcoal toast. The air feels clean – greenery abounds, with a towering fig tree a charismatic centrepiece to this smart, vaulted space. It used to be a bank but now feels more like a miniature harvest festival, with an open L-shaped kitchen and countertops piled with fresh pastries.

AbacusLaw generates professional, polished invoices for any fee arrangement and billing schedule. We respectfully acknowledge the Traditional Custodians of the land where we live and work and pay our respects to all Elders, past and present, of all Aboriginal and Torres Strait Islander nations. Motley Fool contributor James Mickleboro has no position in any of the stocks mentioned. The Motley Fool Australia’s parent company Motley Fool Holdings Inc. has no position in any of the stocks mentioned.

You get the most updated safety features as well as functional essentials for a rather comfortable ride. That is why Abacus Motorhome Hire only rents out motorhomes under 36 months old. These motorhomes are fully fitted with all the things you need and some extras like crockery, cutlery, and utensils. You just have to bring your own sleeping bags, pillows, and the like. Plus, they have a nice range of pet-friendly units, so avid travellers/ pet owners can take advantage of their rental fleet.

The features of Abacus Law are completely customizable to suit the needs of my practice. There are lots of great tutorials and other online resources to help us get the most from Abacus Law. “Abacus will continue to invest in emerging markets in both South East Asia and Central Asia. I couldn’t be happier with my newly re-sanded and re-polished floor! Always on time, professional was very knowledgeable, and his workmanship is of superior quality.

Additionally, the incumbent’s role moves to one of client management rather than all the stress of managing resources to complete the work. Less stress & more time to themselves & their families. The Abacus POS system is cloud based for better efficiency, ease of management and convenience. Plus, it works offline so you’re never left stranded when you don’t have Internet access. When I print my weekly calendar and there is a holiday that week, I have to remove “holiday” in order to print the full information for the holiday event (i.e., Court and Office Closed), otherwise it cuts it off.

Chief executive Jim Groves said real rents have probably fallen further, with tenants negotiating discounts of 40 per cent off the advertised price. Listed flex space rent rates have also plunged by up to 25 per cent, with the national fall averaging just over 10 per cent, according to listings data from sector-specific leasing site Rubberdesk. New data shows that the amount of flex, or co-working, space available to lease in Australia’s major city centres has blown out by 64 per cent from pre-pandemic levels. 100% verified.We collect and display reviews from only verified bookings made by real users with HotelsCombined or with our trusted external partners.

Instead, it focuses on highly comfortable to luxurious rentals. With APC I can work from home in the morning, go to the office and log in again right where I left off without having to maintain expensive servers. Tech support has been very responsive and always available whenever we have a problem, which is not very often.

We’re backed up by awesome industry partners and a fantastic customer service team to make your journey to finding the right office fast and enjoyable. Sometimes when updates are made, there are problems with the monthly billing and client payments. After inputting the time tickets, sometimes the program freezes up and we need to shut down the system a https://hackersphase.co/ couple of times and even need to call customer services for help. Also, when printing the invoices, even though I put them in alpha order, when they print out, they print out numerically or even one time recently just printed out (255 bills) in no methodical way. Instead of allowing me to input what I want to input, if I mark an invoice or invoices.

And its not coming from Financial Planning firms its coming from other Accounting firms of various sizes & locations. Remember you don’t need to be thinking retirement to consider a merger. We have advised younger Practitioners in mergers so they can shift from managing a practice to client relationships. On the one hand, Accountants are stressed, working long hours & are tired just keeping up with their existing client needs.

Our Services

Editing bills takes so much longer than it should because of how it has to be done. We have a great working relationship with Marty and his team. Working with clients to present their properties before going to market often means timetabling several contractors to work within a small time frame. Marty and his team are not only great to work alongside, they always produce a fantastic result. As specialist brokers in the flexible office market, Rubberdesk is across all the options, offers and availability.

‘Better value’ from niche property trusts in volatile times

The 4 berth Florium Wincester comes with a versatile interior to maximize every facility that you need–rear upscale lounge, over cab double bed, dinette, ergonomic kitchen, and palatial living quarters. Aside from the functional amenities, you get to enjoy the modern features of this Fiat 2,3 MJET 150BHP. An automatic model, you are assured of an easy-to-drive unit with everything you need for a home on wheels.

Former Young Rich Lister’s surprise return to the business she left behind

So I contacted about 6 different floor sanding/polishing companies. They turned up when they said they would and, when they found the floors in need of more work than would normally be the case they didn’t blink. They worked to get the job done to the highest standard. Markets coverage, company profiles and industry insights from Australia’s best business journalists – all collated and delivered straight to your inbox every day. “Still, it is a business that requires financial leverage to drive higher economic profits, bringing the threat of value destruction from a severe credit or overpayment for PDLs,” says Morningstar’s notes. PDLs are mainly acquired from banks and financial institutions, and are mostly secured credit card debt that are at least six months in arrears and already been through a collection process.

• If you have an alternative address like an office or workplace we can deliver to this would make the process of dispatch run smoothly.
• When I wanted to add staff, the Abacus Private Cloud let all of my team utilize the AbacusLaw software with ease, from home and from other states where I am also licensed.
• That is why Abacus Motorhome Hire only rents out motorhomes under 36 months old.
• In comparison, the 4 berth spotlights its drop-down bed while the 6 berth takes pride of its cab-over bed.
• Pop up features that I do not use are annoying and difficult to turn off.
• These motorhomes are fully fitted with all the things you need and some extras like crockery, cutlery, and utensils.
• Labeled Verified, they’re about genuine experiences.Learn more about other kinds of reviews.

What happened in FY 2023?

I would highly highly recommend Abacus flooring for anyone looking in Sydney. A neighbour recommended Abacus Flooring to me and I couldn’t have hoped for a better service and quality. Marco did a brilliant job and was a pleasure to deal with.

Product features

The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Driving a brand new model is way convenient than maneuvering classic cars.

New Hope share price races higher despite FY 2024 profit crunch

Companies can ask for reviews via automatic invitations. Labeled Verified, they’re about genuine experiences.Learn more about other kinds of reviews. People who write reviews have ownership to edit or delete them at any time, and they’ll be displayed as long as an account is active. Suggested companies are based on people’s browsing tendencies.

How to be a high-performance candidate in the Accounting and Finance market in 2024 in Australia

For every hard surface there is a natural softness to counteract it whether it’s piles of fresh vegetables laying on a table or wooden planter boxes filled with herbs and plants. Once seated, your waiter is there for whatever assistance you might need and offering you drinks ranging from morning cocktails, fresh coffee or cold-pressed juices made in house. Our dedication to customer satisfaction is what sets us apart from our competitors. We pride ourselves on being able to provide customers with reliable printers that enhance their workflow while also listening carefully to the specific needs of each individual company. The market has plenty of tailwinds, including an imbalance in supply and demand for space, densification of residential property, and the growth of e-commerce, according to Abacus. I appreciate that the court rules are listed/referenced in the events.

To reset your password, enter your email address

Having a CV and a cover letter on hand with details about your experiences and contact details is not enough to stand out. You need to use all your knowledge to your advantage and use these tools to tell your story in a concise and fundamental way. By following the tips and advice in this blog, you will be on the right path to achieving your goals and becoming a successful professional in the Accounting and Finance field. As well as being the proud partner of Cadigal, Rubberdesk also exclusively powers flexible workspace for Commercial Real Estate. It is a view supported by major office landlord Abacus Property Group, which has just announced the launch of its new flex brand.

This ASX 200 real estate share is jumping 8% despite a huge profit decline

You can’t just double click on a number in a report to get more information on it like many other software programs. If you print a check, you can’t change anything about it with an edit; you have to delete the entire thing to make small changes. Entering time takes forever because you have to go into each matter separately and enter your time instead of a large platform to enter time for each matter on one sheet.

Join today and access the latest views on the latest developments from a professional money manager. Founded in 1993 by brothers Tom and David Gardner, The Motley Fool helps millions of people attain financial freedom through our website, podcasts, books, newspaper column, radio show and premium investing services. The Motley Fool launched its Australian presence in 2011, and since then has grown to reach over 1 million Australians.

We have real time pricing for thousands of spaces listed by hundreds of providers to help find your next office. Swift Escape has two variants―the 4+1 and 5+1 motorhomes. These two have almost the same layout, starring a front double bed and rear bunk beds. In comparison, the 4 berth spotlights its drop-down bed while the 6 berth takes pride of its cab-over bed. Consequently, the cab-over area of the 4 berth is used as an extra storage place.

• Correcting an error often becomes a lengthy boondoggle that takes ridiculous amounts of time.
• We purchased AbacusLaw five years ago and now the program keeps crashing and the rude support personnel blame us for using an outdated version which Abacus says it is trying to faze out an no longer support.
• Overall, this trading school offers you the opportunity to gain excellent knowledge (if you have none), and to expand and solidify it (if you have any).
• We use it every day to track matter activity, coordinate schedules, meet deadlines, retrieve critical information, and bill clients.
• Abacus Motorhome Hire wants you to have a unique and smooth holiday with its wide range of modern motorhomes that are designed for a rather stylish road trip.

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The living quarters has a sofa and forward-facing seat with seat belt, both of which add up to convert into an extra double bed. The bathroom is in the back area, just beside the fixed bed. On the other hand, this 6 berth Baily Approach is furnished with a large U-shaped rear lounge that transforms into a very spacious double bed. The front seating area plus dinette becomes another double bed. And also on the same area comes a restricting the pull-down double bed so that the motorhome can sleep up to a total of 6 people.

It’s Saturday morning and you enter Abacus which sits in an old bank building next to Melbourne’s fresh food market, Prahran Market. Your eyes linger upwards taking in every aspect of the double height space lined with greenery and dotted with beautiful glowing light fixtures. As you take in the space, you get a sense of what Abacus is all about – honesty and refinement.

Introducing the Bailey Approach Autograph 730, this luxury 2 berth is powered by a powerful engine with 6-speed manual gearbox. This modern motorhome with lightweight chassis is reliable on the road. With its 7.5m length, you get a spacious layout that includes a central kitchen, a permanent rear double bed, front lounge that converts into an extra bed, and washroom with a distinct cubicle. The add-ins do not work consistently and have more cons than pros. The reporting is not very good and making deposits that are not client checks makes no sense. The system is good for basic legal clients, but anything more complex and there’s issues.

With the forms we do have set up, many times we have to make adjustments each time we use them so it is not worth the time or hassle to do so and we end up creating the document with out using Abacus forms. I wish the calendar syncing feature with Google calendar/Outlook was easier and not manually required. We remain confident that both vehicles are positioned to leverage our key enablers and deliver recurring income and value creation over the medium to long term. The ASX 200 real estate share has reconfirmed its FY 2024 guidance. Things were also positive for its FFO and EBIT during the 12 months.

Always a calm and reassuring voice amidst completely chaotic situations, able to explain complicated processes in ways that sound simple. He’s been readily available throughout, both over the phone and by email. Thank you for all you have done and continue to do for us, Jack and Jemma.

ABACUS is available either on premise or as a cloud-based tool for modeling, analytics and data visualization. The job market for Accounting and Finance professionals continues to be dynamic with multiple changes over a short period of time. If you want to stand out in this competitive market and become a high-performance candidate, this content is for you.

Perhaps you should give us a call and learn a bit more on why now is a good time to look at your options. We advise Accountants on mergers, acquisitions & the sale of their practice. We enjoy what we do & the feedback from our clients has been great.

• You can visit Abacus for breakfast, lunch, evening drinks, snacks or dinner.
• Instead of allowing me to input what I want to input, if I mark an invoice or invoices.
• Everything ran very smoothly and they kept in regular contact.
• Support used to be excellent when you had a question; due to company growth and buying other business it is no longer possible to get phone support in a timely manner.
• Abacus now serves customers all across Australia, providing exceptional technology solutions from coast to coast.
• A truly exceptional, efficient and professional service.
• Help others learn about this company by sharing your first-hand information with other road-trippers.

Evening menus move into pizza, tapas and drinking territory, with some nifty cocktails and a lot of homegrown beers and wines to get you started. Those naughty croquettes sneak onto the night menu alongside other shareable snacks like snapper wings with finger lime, sardines with pickled lemon, and pork belly with mushroom. Breakfasts can run from a simple, feathery, house-made pain au chocolat to the Abacus bircher, with house-milled roasted oats, fruit and a chunk of honeycomb from the roof. More savoury options include smoky beans revved with chipotle, and chilli-folded scrambled eggs with seaweed and olive dust, served on charcoal toast. The air feels clean – greenery abounds, with a towering fig tree a charismatic centrepiece to this smart, vaulted space. It used to be a bank but now feels more like a miniature harvest festival, with an open L-shaped kitchen and countertops piled with fresh pastries.

AbacusLaw generates professional, polished invoices for any fee arrangement and billing schedule. We respectfully acknowledge the Traditional Custodians of the land where we live and work and pay our respects to all Elders, past and present, of all Aboriginal and Torres Strait Islander nations. Motley Fool contributor James Mickleboro has no position in any of the stocks mentioned. The Motley Fool Australia’s parent company Motley Fool Holdings Inc. has no position in any of the stocks mentioned.

You get the most updated safety features as well as functional essentials for a rather comfortable ride. That is why Abacus Motorhome Hire only rents out motorhomes under 36 months old. These motorhomes are fully fitted with all the things you need and some extras like crockery, cutlery, and utensils. You just have to bring your own sleeping bags, pillows, and the like. Plus, they have a nice range of pet-friendly units, so avid travellers/ pet owners can take advantage of their rental fleet.

The features of Abacus Law are completely customizable to suit the needs of my practice. There are lots of great tutorials and other online resources to help us get the most from Abacus Law. “Abacus will continue to invest in emerging markets in both South East Asia and Central Asia. I couldn’t be happier with my newly re-sanded and re-polished floor! Always on time, professional was very knowledgeable, and his workmanship is of superior quality.

Additionally, the incumbent’s role moves to one of client management rather than all the stress of managing resources to complete the work. Less stress & more time to themselves & their families. The Abacus POS system is cloud based for better efficiency, ease of management and convenience. Plus, it works offline so you’re never left stranded when you don’t have Internet access. When I print my weekly calendar and there is a holiday that week, I have to remove “holiday” in order to print the full information for the holiday event (i.e., Court and Office Closed), otherwise it cuts it off.

Chief executive Jim Groves said real rents have probably fallen further, with tenants negotiating discounts of 40 per cent off the advertised price. Listed flex space rent rates have also plunged by up to 25 per cent, with the national fall averaging just over 10 per cent, according to listings data from sector-specific leasing site Rubberdesk. New data shows that the amount of flex, or co-working, space available to lease in Australia’s major city centres has blown out by 64 per cent from pre-pandemic levels. 100% verified.We collect and display reviews from only verified bookings made by real users with HotelsCombined or with our trusted external partners.

Instead, it focuses on highly comfortable to luxurious rentals. With APC I can work from home in the morning, go to the office and log in again right where I left off without having to maintain expensive servers. Tech support has been very responsive and always available whenever we have a problem, which is not very often.

We’re backed up by awesome industry partners and a fantastic customer service team to make your journey to finding the right office fast and enjoyable. Sometimes when updates are made, there are problems with the monthly billing and client payments. After inputting the time tickets, sometimes the program freezes up and we need to shut down the system a https://hackersphase.co/ couple of times and even need to call customer services for help. Also, when printing the invoices, even though I put them in alpha order, when they print out, they print out numerically or even one time recently just printed out (255 bills) in no methodical way. Instead of allowing me to input what I want to input, if I mark an invoice or invoices.